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Cunningham ( Friday the 13th), Joe Dante ( Gremlins), Tom Holland ( Child’s Play), Mick Garris ( Masters of Horror), Sara Karloff (daughter of Boris Karloff), Tim Lucas ( Video Watchdog), Jennifer Lynch ( The Walking Dead) and Victoria Price (daughter of Vincent Price).

With the successful venture of the Sci-Fi Museum, the next logical step was the Horror Museum.īoard members of the Horror Museum already include Clive Barker ( Hellraiser), Sean S. They have nearly 100,000 followers and has 2.3 million Facebook views a week. The Hollywood Sci-Fi Museum was developed to permanently display all science fiction props, sets, costumes, and artifacts. The project goes back to 2012 when writer/fan Huston Huddleston found two Star Trek Enterprise Bridges in the trash at Paramount in 1998 and decided to restore them. The museum coincides with the Hollywood Sci-Fi Museum and will have a permanent home in 2018. The museum, created by some of horror and Sci-Fi’s biggest names, will be the world’s first educational, non-profit museum teaching the history of horror in films, TV, literature and art, as well as filmmaking, makeup, costumes and special effects, from model making to computer graphics. Hollywood Horror Museum: Press Release: "The NSF just announced the launch of their Kickstarter for the Hollywood Horror Museum. Also in this round-up: details on the Goosebumps screening at Mile High Horror Film Festival, horror survival game Romero's Aftermath, and distribution details for Crabs!

I am also interested in the role of Cambridge fellows and alumni in perpetuating proslavery and racial thought from the creation of the Virginia Company in 1606 until the rise of eugenics and the new racial science in the nineteenth and twentieth centuries.A Kickstarter was launched for the Hollywood Horror Museum which will preserve the history of the genre we all love so dearly. I am using my knowledge of slavery and abolition in this period to examine the education of slaveholders (including three signatories to the Declaration of Independence) at Cambridge, and the crucial role of those students in the West India lobby, which defended slavery until the institution’s abolition throughout the British Empire in 1833. I am also applying my expertise in the American Revolution and its aftermath as a Postdoctoral Research Fellow for the Legacies of Enslavement inquiry at Cambridge. Clements Library at the University of Michigan, among others. This research has been generously supported by the David Library of the American Revolution, Omohundro Institute of Early American History and Culture, International Centre for Jefferson Studies, Virginia Museum of History and Culture, and William L. My first book, provisionally titled Fighting Words in the American Revolution, 1763-87, will develop these ideas further. I applied this approach in my doctoral thesis, which explored the politics of epithets – identity terms (like “patriot,” “republican,” and “American”) that people at the time used to describe themselves, build bonds of belonging, and label their opponents – from the start of the imperial crisis in 1763 through to the Constitutional Convention in 1787. My research primarily looks at the politics of naming: the act of labelling persons, groups, and events and the power relations and cultural changes that process involves and reveals.